Recent
reports of WWE being interested in bringing back former
NXT star Dexter
Lumis to the company have come to the fore.
Triple
H took over the reins as Head of Creative of WWE a
few weeks from Vince McMahon and has since brought
in several released stars. The first to return was
Dakota Kai, who came back alongside Bayley and Iyo
Sky at SummerSlam. Karrion Kross and his on-screen
valet Scarlett Bordeaux also returned as they confronted
Roman Reigns on the latest episode of SmackDown.
According
to a report from Fightful, another former NXT star
is also likely to return. Dexter Lumis is among the
names that have been discussed internally to be rehired
by the company. The report mentions that people within
the company were planning to get in contact with Lumis
last week to discuss a possible return.
Dexter
Lumis was released alongside multiple NXT talent last
April. According to reports, he was initially not
on the release list, which meant the company wasn't
initially planning to let him go.
Lumis
has made multiple indie appearances under the ring
name Samuel Shaw since his departure.
Triple
H possibly not slowing down on WWE recruitment after
taking over creative
After
becoming the new Head of Creative, The Cerebral Assassin
didn't waste any time re-signing Dakota Kai, calling
up Iyo Sky, and bringing back Karrion Kross and Scarlett.
It
has also been reported that the company is interested
in bringing back former NXT Champion Johnny Gargano.
Sasha Banks and Naomi are also rumored to be returning
soon.
Fightful
Select also reported that WWE is looking to bring
in more former talent, with the company entering into
a "feeling out process." The belief is that
Triple H isn't slowing down as far as bringing in
more talent, as he wants to bolster the depth of the
roster.
The
Game also has big plans for several current stars,
as T-BAR is reportedly set to be repackaged following
a disappointing run on the main roster. He competed
in the black and gold era of NXT as Dominik Dijakovic
and is likely to return to his old moniker.
Karrion
Kross
Doomsday
has returned and SmackDown is on notice.
The
sight of Karrion Kross’ physique — a hulking
6-foot-4, 265 pounds — and the unbridled intensity
in his eyes is enough on its own to inspire fear in
opponents. Consider also his unique combination of
precision and abject ruthlessness, and it becomes
clear that anyone stepping in the ring with Kross
is in immediate danger.
A
master of catch wrestling and sambo, Kross has done
battle around the world. He boasts an array of devastating
suplexes, including his dreaded Doomsday Saito, performed
with reckless intent. And if that’s not enough,
he’s more than happy to put opponents to sleep
with the Kross Jacket.
Making
a name for himself in NXT, Kross brought a wave of
swift and decisive destruction, destroying opponents
left, as Scarlett foretold the prophecy of his rise
to the NXT Championship.
Now
Kross & Scarlett have come calling once again,
as the towering Superstar targeted the biggest and
baddest on the block with an attack on Drew McIntyre
that put Roman Reigns on notice.
No
matter where the time is told, in the end, everyone
paid the toll. Tick tock.
WWE
Raw Ratings Dip For Labor Day, But See A Boost From
A Year Back (WrestlingINC)
BY DOMINIC
DEANGELO/SEPT. 7, 2022
WWE Clash At The Castle didn't rope any added
viewers in for the Labor Day edition of "WWE
Raw", but all hope was not lost for WWE
on Monday. Wrestlenomics released the viewership
information for Labor Day programming and the September
7 episode of "Raw" was watched by 2,094,000
average viewers, a 3% decrease from the Monday previous.
The key demographic saw a slight drop with 757,000
average viewers, a 2% difference totaling out to a
0.58 18-49 rating. "Raw" ranked at #2 in
cable originals for the 18-49 demographic and #3 in
the broadcast primetime category, behind "The
Bachelorette" on ABC (0.73 18-49 rating) and
NCAA Football on ESPN (1.36 18-49 rating).
The
big positive for "Raw" however is how much
of a difference a year makes. Last year's Labor Day
episode had a total viewership of 1,849,000 making
this week's "Raw" up 12% in viewership.
The same can be said for the key demographic, as last
year's "Raw" had a 0.52 18-49 rating, 10%
less than this week.
"WWE
Raw" did have the reported return of Braun Strowman,
who ran through the brand's tag division. Fans also
saw the "reinvention" of Dominik Mysterio,
as Rhea Ripley of The Judgement Day made Rey Mysterio's
son a "man." Dominik also helped Damian
Priest defeat his dad in singles action and the main
event had The Miz challenging Bobby Lashley for the
United States Championship inside of a steel cage.
Miz made an effort to escape the cage, but his descent
was thwarted when he saw Dexter Lumis waiting for
him underneath the ring apron.
SI.com’s
Week in Wrestling is published every week and
provides beneath the surface coverage of the business
of pro wrestling.
The
All Out press conference revealed one of the dirtiest
secrets in pro wrestling. From time to time, what
happens behind the curtain is more fascinating than
what takes place in the ring.
That
was the case as Sunday night moved to Monday morning.
CM Punk spoke at the post-match press conference and
took a flamethrower to the AEW locker room, laying
into fellow wrestlers, specifically Hangman Page,
the company’s executive vice presidents—who
are Kenny Omega and the Young Bucks’ Matt and
Nick Jackson—as well as Colt Cabana. The focus
of the press conference should have been on the stunning
return of MJF, but that major plot line became nearly
nonexistent as Punk went entirely off-script in his
critiques.
Once
Punk exited the press room, he exchanged words in
a locker room with Omega and the Bucks, which led
to a physical altercation. Punishment for that backstage
fight, Sports Illustrated has learned, will include
suspensions for every person involved. The list of
those receiving suspensions includes Omega, Matt and
Nick Jackson, Pat Buck, Christopher Daniels, Michael
Nakazawa and Brandon Cutler. Multiple sources have
shared that Punk and Ace Steel will either be among
those suspended, or will no longer be with the company
by the end of Wednesday. Punk met with AEW owner Tony
Khan on Tuesday, so the two had an opportunity to
discuss how that exit could be handled.
Per
sources, an external third-party investigation will
be conducted. Page had already left the building,
Sports Illustrated learned, which explains his absence
from the altercation.
Punk’s
fury was ignited during the press conference when
he made mention of former friend Cabana. Rumors have
circulated that Punk had Cabana moved to Ring of Honor,
and Punk clearly believes that those rumors emanated
from leaks within the company, possibly even from
Omega and the Bucks. Punk vehemently denied involvement
in any facet of Cabana’s career, and that topic
of discussion set him off.
All
this occurred at the press conference where Punk sat
beside Khan. It was an awkward, uncomfortable and
unprofessional scene. Punk is AEW world champion,
which adds another layer to this conundrum. The Bucks
and Omega are the inaugural world trios champions.
Remarkably,
there could still be a positive outcome if Punk and
FTR engage in a heated feud with Omega and the Bucks.
Punk
mentioned to SI two weeks ago that he is in AEW to
sell tickets and drive ratings. Real-life strife
sells in this industry, especially when harnessed
in the right manner—but sources from close to
AEW indicated a story line is not going to come out
of this situation.
Khan
is CEO, GM and head of creative. This incident highlights
AEW’s major need to delegate. Overseeing a wrestling
company is not a one-man show, and not even Vince
McMahon at the peak of his power in WWE ever pretended
to be that. McMahon surrounded himself with the best
minds in wrestling and put them in key roles, as with
Pat Patterson, Jim Ross, Jim Barnett, JJ Dillon, Gorilla
Monsoon and Arnold Skaaland. While he signed off on
all major decisions, it was never just McMahon behind
the scenes managing it all. Yes, McMahon may have
been the one to receive the praise and recognition,
but WWE’s success under his leadership was the
result of a wide range of contributions. AEW’s
lack of experience in executive leadership plays a
role in these issues. The company possesses a first-rate,
world-class roster, yet far less experience in the
front office.
WWE
also plays a role in all of this. As Khan noted during
the press conference, All Out did well commercially,
but not to the point where it set any company records.
That is largely because WWE strategically ran a must-see
event the day before in Clash at the Castle, as well
as an NXT special in War of the Worlds only hours
before AEW started its All Out pay-per-view.
For
WWE, that All Out press conference will undoubtedly
be used by newly appointed chief content officer Paul
Levesque as their newest recruitment play. Levesque
is following a wrestling blueprint created by McMahon
in the 1980’s. While McMahon had distanced himself
from it, Levesque is back to signing all the top available
talent.
Under
Levesque, there is a robust new wave of recruitment.
What happens if multiple talent in AEW attempt to
leverage their releases? That could be very destabilizing,
meaning it will likely be a point of emphasis from
WWE. AEW built so much of their brand as a contrast
to McMahon’s poor booking and lackluster presentation
of beloved talent. Yet that is now evolving, as WWE
has quickly strengthened its storylines since Levesque
took control of creative.
In
the shadow of all this are the expiring television
rights deals for AEW and WWE. Based on their ratings,
AEW should be in a position to receive a significant
increase in their rights fees when the current deal
with WarnerBrothers/Discovery expires at the end of
2024. But WarnerMedia merged with Discovery, Inc.,
forming Warner Bros. Discovery, and the marketplace
is unsure of their current strategy, creating question
marks around AEW’s future. WWE also has a need
for new network rights deals, as existing agreements
with NBCUniversal and Fox only run through the end
of September ’24. Weakening AEW while further
solidifying their own brand is, undoubtedly, WWE’s
objective.
For
AEW, this is the wrong time for chaos. The company
needs to tighten up its internal affairs, as the pro
wrestling industry is a far stronger place with two
major companies instead of one overwhelming monopoly.
CM
Punk, Swerve in Our Glory, Toni Storm & Chris
Jericho Comment | AEW All Out Media Scrum | 9/4/22
Welcome
to the All Elite Wrestling YouTube channel! Here you
can find the latest highlights from AEW Dynamite and
the latest episodes of AEW DARK. A world-class roster
of diverse male and female wrestlers give you a new
wrestling experience for the first time in 20 years.
Subscribe today so you don't miss the latest videos
from All Elite Wrestling!
This
video is AEW intellectual property. It is intended
for only the private use of our audience. No part
of this show may be reproduced, broadcast or exhibited
in any form or by any means without the consent of
AEW. It is also prohibited for users to generate revenue
from the broadcast or exhibition by the user of any
AEW content (including media scrums or other editorial
materials) without the consent of AEW.
About
AEW
Founded by CEO, GM and Head of Creative Tony Khan
in 2019, AEW is headlined by CM Punk, Jon Moxley,
Thunder Rosa, Chris Jericho, Bryan Danielson, Claudio
Castagnoli, Kenny Omega, The Young Bucks (Matt and
Nick Jackson), Adam Cole, Sting, FTR, Jungle Boy,
Jade Cargill, Dr. Britt Baker, Scorpio Sky, Hangman
Page, Sammy Guevara, Matt Hardy, Samoa Joe, Swerve
Strickland, Miro, Lucha Bros., PAC, Wardlow, Darby
Allin, Nyla Rose, Red Velvet, Ruby Soho, Toni Storm,
Hikaru Shida, Athena, Malakai Black, Andrade El Idolo,
Christian Cage, Eddie Kingston, Ethan Page, Orange
Cassidy, Ricky Starks, Powerhouse Hobbs, Luchasaurus,
Lance Archer, Keith Lee and many more. For the first
time in many years, AEW is offering an alternative
to mainstream wrestling, with a roster of world-class
talent that is injecting new spirit, freshness and
energy into the industry.
“AEW: Dynamite” airs every Wednesday from
8-10 p.m. ET on TBS and attracts the youngest wrestling
audience on television. The fight-forward show “AEW:
Rampage” airs every Friday from 10-11 p.m. ET
on TNT. AEW’s multi-platform content also includes
“AEW Dark” and “AEW Dark: Elevation,”
two weekly professional wrestling YouTube series,
“Being the Elite,” a weekly behind-the-scenes
YouTube series, and “AEW Unrestricted,”
a weekly podcast series.
Media
Man Group
Welcome
to the Media Man Group including but not limited to
Media Man Int, Media Man International, Media Man
News, Media Man Australia and Media Man Network
A
terrestrial network (or broadcast network in the United
States) is a group of radio stations, television stations,
or other electronic media outlets, that form an agreement
to air, or broadcast, content from a centralized source.For
example, PBS (US), CBC (Canada), BBC (UK), ABC (Australia),
KBS (South Korea) and ABS-CBN (Philippines) are TV
networks that provide programming for local terrestrial
television station affiliates to air using signals
that can be picked up by the home television sets
of local viewers. Networks generally, but not always,
operate on a national scale; that is, they cover an
entire country.
Streaming
media, Internet radio, and webcasting are sometimes
considered forms of broadcasting despite the lack
of terrestrial stations; its practitioners may also
be called "broadcasters" or even "broadcast
networks".
News
broadcasting is the medium of broadcasting of various
news events and other information via television,
radio, or internet in the field of broadcast journalism.
The content is usually either produced locally in
a radio studio or television studio newsroom, or by
a broadcast network. It may include material such
as sports coverage, weather forecasts, traffic reports,
political commentary, expert opinions, editorial content,
and other material that the broadcaster feels is relevant
to their audience. An individual news program is typically
reported in a series of individual stories that are
presented by one or more anchors. A frequent inclusion
are live or recorded interviews by field reporters.
The
Internet (or internet)[a] is the global system of
interconnected computer networks that uses the Internet
protocol suite (TCP/IP) to communicate between networks
and devices. It is a network of networks that consists
of private, public, academic, business, and government
networks of local to global scope, linked by a broad
array of electronic, wireless, and optical networking
technologies. The Internet carries a vast range of
information resources and services, such as the inter-linked
hypertext documents and applications of the World
Wide Web (WWW), electronic mail, telephony, and file
sharing.
The
origins of the Internet date back to the development
of packet switching and research commissioned by the
United States Department of Defense in the 1960s to
enable time-sharing of computers. The primary precursor
network, the ARPANET, initially served as a backbone
for interconnection of regional academic and military
networks in the 1970s. The funding of the National
Science Foundation Network as a new backbone in the
1980s, as well as private funding for other commercial
extensions, led to worldwide participation in the
development of new networking technologies, and the
merger of many networks. The linking of commercial
networks and enterprises by the early 1990s marked
the beginning of the transition to the modern Internet,
and generated a sustained exponential growth as generations
of institutional, personal, and mobile computers were
connected to the network. Although the Internet was
widely used by academia in the 1980s, commercialization
incorporated its services and technologies into virtually
every aspect of modern life.
In
mass communication, media are the communication outlets
or tools used to store and deliver information or
data. The term refers to components of the mass media
communications industry, such as print media, publishing,
the news media, photography, cinema, broadcasting
(radio and television), digital media, and advertising.
The
development of early writing and paper enabling longer-distance
communication systems such as mail, including in the
Persian Empire (Chapar Khaneh and Angarium) and Roman
Empire, which can be interpreted as early forms of
media.[4] Writers such as Howard Rheingold have framed
early forms of human communication as early forms
of media, such as the Lascaux cave paintings and early
writing. Another framing of the history of media starts
with the Chauvet Cave paintings and continues with
other ways to carry human communication beyond the
short range of voice: smoke signals, trail markers,
and sculpture.
The
Term media in its modern application relating to communication
channels was first used by Canadian communications
theorist Marshall McLuhan, who stated in Counterblast
(1954): "The media are not toys; they should
not be in the hands of Mother Goose and Peter Pan
executives. They can be entrusted only to new artists
because they are art forms." By the mid-1960s,
the term had spread to general use in North America
and the United Kingdom. The phrase "mass media"
was, according to H.L. Mencken, used as early as 1923
in the United States.
The
term "medium" (the singular form of "media")
is defined as "one of the means or channels of
general communication, information, or entertainment
in society, as newspapers, radio, or television."
Broadcasting
is the distribution of audio or video content to a
dispersed audience via any electronic mass communications
medium, but typically one using the electromagnetic
spectrum (radio waves), in a one-to-many model. Broadcasting
began with AM radio, which came into popular use around
1920 with the spread of vacuum tube radio transmitters
and receivers. Before this, all forms of electronic
communication (early radio, telephone, and telegraph)
were one-to-one, with the message intended for a single
recipient. The term broadcasting evolved from its
use as the agricultural method of sowing seeds in
a field by casting them broadly about.] It was later
adopted for describing the widespread distribution
of information by printed materials] or by telegraph.
Examples applying it to "one-to-many" radio
transmissions of an individual station to multiple
listeners appeared as early as 1898.
Over
the air broadcasting is usually associated with radio
and television, though more recently, both radio and
television transmissions have begun to be distributed
by cable (cable television). The receiving parties
may include the general public or a relatively small
subset; the point is that anyone with the appropriate
receiving technology and equipment (e.g., a radio
or television set) can receive the signal. The field
of broadcasting includes both government-managed services
such as public radio, community radio and public television,
and private commercial radio and commercial television.
The U.S. Code of Federal Regulations, title 47, part
97 defines "broadcasting" as "transmissions
intended for reception by the general public, either
direct or relayed". Private or two-way telecommunications
transmissions do not qualify under this definition.
For example, amateur ("ham") and citizens
band (CB) radio operators are not allowed to broadcast.
As defined, "transmitting" and "broadcasting"
are not the same.
Transmission
of radio and television programs from a radio or television
station to home receivers by radio waves is referred
to as "over the air" (OTA) or terrestrial
broadcasting and in most countries requires a broadcasting
license. Transmissions using a wire or cable, like
cable television (which also retransmits OTA stations
with their consent), are also considered broadcasts
but do not necessarily require a license (though in
some countries, a license is required). In the 2000s,
transmissions of television and radio programs via
streaming digital technology have increasingly been
referred to as broadcasting as well.
Bitcoin
SV is Revving up for Potentially Unlimited Scale -
4th March 2021
With
the latest release of its software. Switzerland-based
industry organization the Bitcoin Association has
announced the release of the Bitcoin SV Node software
v1.0.7 in an effort to boost up for potentially unlimited
scale.
Calvin
Ayre, a big proponent for Bitcoin SV, retweeted the
news on Thursday.
Why
This is Important
The
Dynastic update to Bitcoin SV Node software means
a lifting of limitations that were previously imposed
on apps so that enterprises can increase throughput
and effectively scale.
The
update has improved support for long chains of unconfirmed
transctions, as the default limit for ancestor and
child-pays-for-parent (CPFP) transactions has been
extended from 25 to 1,000.
The
Dynastic release completes the process of replacing
the legacy block assembler, implemented in later versions
of the Bitcoin Core (BTC) software, with a new journaling
block assembler for the Bitcoin SV (BSV) network.
This
change now supports long chains of unconfirmed transactions
and has introduced simplified transaction selection
logic.
Prioritizing transactions based on how much miners
can make in fees is no longer necessary on the Bitcoin
SV network, which has low-fee transactions. Those
waiting for transactions to be confirmed on the BTC
network may have noticed the occasional 6 hour wait
time for those who did not pay the prioritized fee.
Steve
Shadders, technical director of the Bitcoin SV Infrastructure
Team: "Along came a 1MB block size limit and
ideas about a fee market. The idea was that limiting
the block size would create demand for block space
and drive up the transaction fees users would effectively
bid to get included in a block. But this created a
new requirement for the Bitcoin software to manage.
If a miner can't select all the available transactions
due to the 1MB limit, they need to ensure they select
the ones that pay the highest fee rates to maximise
their revenues, leaving the less lucrative transactions
for another miner to pick up later."
Shadders
added: "The removal of the CPFP and ancestor
limits from the Bitcoin SV network has been one of
the most requested improvements we've received from
businesses and end-users alike."
Heyman
Hustle pushing the envelope with WWE, pro wrestling
and MMA coverage; Sports models get risqué
Sports
Data "wars" for supremacy likely to heat
up in United States, UK, Australia; May expand beyond
Football, American Football, Union, Soccer; Could
pro wrestling, MMA, Judo, Boxing and even surfing
be the new frontier; VR elements for gaming
Numerous
WWE pro wrestlers aka sports entertainers keen to
do more Hollywood work; Following Dwayne Johnson,
Bautista, John Cena, Miz and Roman Reigns success
MTV's
tipped to bring back Celebrity Death Match; Classic
matches hit YouTube. Click
here
