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So
you think you've got what it takes, by Sheena MacLean
- 18th November 2004
(Credit:The
Australian - Media)
About 1200 journalism graduates will be competing
for up to 300 jobs in the mainstream media across
the country this year.
Journalism
lecturer Roger Patching, from Queensland University
of Technology in Brisbane, estimates that about half
of these jobs will go to journalism graduates and
the rest to people with other qualifications. Large
numbers will find work in media-related fields such
as public relations and in non-media areas that require
research and report writing skills.
So
what do media managers look for in prospective employees,
how did they get their start and what makes a good
journalist? Media spoke to some senior executives
to find out.
John
Hartigan
Chief executive, News Limited
JOHN
Hartigan, 56, started his career as a copy boy straight
from school at Fairfax's The Sun. He says newspapers
need inquisitive people who care about what's going
on in their community and who want to fossick out
facts. "Too often we see people who want to let
the community know what their thoughts are rather
than draw the information from others."
Hartigan
is a strong believer in "the great university
of life" where people bring broad skills, by
way of experience, to their journalism. "Journalism
is all about reporting for middle Australia, not just
for the elite."
Newspapers
need stories with broad appeal, not just because they
fit one demographic or another. "This whole argument
of AB audience share that you hear so much about at
the moment is detrimental to both journalism, for
us as an industry, but also from the readers' perspective."
The
future, though, is also increasingly about specialisation.
He supports the recruitment of people from a wider
pool with expertise in non-media areas to be trained
as journalists.
"It's
all very well for journalists like myself who thought
they knew enough about everything, but the modern
world doesn't let you off the hook very easily."
He
sees shortcomings with the present system where graduates
come in and do a one-year cadetship. "I defy
anyone to learn the breadth of skills that you need
when you're working hands-on for a news organisation
in 12 months ... court reporting, gallery reporting,
police reporting and all the areas of specialisation,
you just can't do it."
Anne
Parsons
Chief executive, media buying agency Zenith Media
ANNE
Parsons studied journalism and psychology before making
her mark in media buying, and while she says they
have both been useful at varying times and to varying
degrees, she doesn't consider it has been instrumental.
Academic
qualifications are good for personal development and
all education is a positive, but it does not make
the difference between a good practitioner and a bad
one, she says. "Success is much more about persistence
than anything else, including education."
She
started her first media job when she was 18, studying
part time and working as a waitress on the weekend
to make ends meet because her media salary was so
low.
She
suggests young people should study what they are genuinely
interested in, to capitalise on talent and encourage
passion. "The communication industry is so broad
and dynamic that any study can be put to good use,
whether it's writing, IT, literature, psychology,
science or statistics."
Mark
Scott
Editor-in-chief, metropolitan newspapers, John Fairfax
Holdings
MARK
Scott looks for outstanding communications skills
and people who can demonstrate a track record of being
tenacious, "people who are desperate to find
out the truth of what's going on".
He
says people with those attributes come from a wide
range of fields and trainees are by no means predominately
graduates from communications courses. What Fairfax
looks for is a fascination with learning and discovery
and a fascination with telling stories.
For
the past seven or eight years, Fairfax has taken on
graduates for one-year traineeships in which they
receive on-the-job training, structured curriculum
and practical skills such as shorthand and media law
as well as mentoring from senior journalists. When
the year is up, trainees may or may not be offered
a permanent job.
In
recent times there has been more recruitment of advanced
trainees from country and regional newspapers.
Scott
says many of the great journalists of the past did
not have tertiary qualifications. In fact, Fairfax
is looking into whether it should take some cadets
straight from school. He refers to the Melbourne Herald
intake of 1979, which included John Lyons, former
SMH editor and now with the Nine Network; The Age
sports reporter Caroline Wilson; Robert Thomson, editor
of The Times in London; and Peter Wilson, The Australian's
Europe correspondent and Graham Perkin journalist
of the year. All got their start straight from school.
Scott,
42, stresses there are multiple pathways into journalism
and his experience reflects that. He taught English
and history in his 20s, worked in politics, studied
government at Harvard and worked in an education think-tank
in Washington before his first job in journalism,
as education editor of the SMH.
Peter
Meakin
Director of news and current affairs, Seven Network
LIKE
many seasoned media executives, Peter Meakin began
as a copy boy, then a cadet journalist on a newspaper,
Adelaide's The Advertiser. His two key requirements
for reporters are the ability to get their facts right
and a determination to find the facts and tell a story.
"There
are some people who walk into our television stations
equipped with little more than a memory board ...
they just want to sit there and preen themselves ...
but there's more to journalism than a make-up kit."
He
says too many people apply because they want to get
their head on camera and the message and information
is secondary. "They figure with the state of
the Australian film industry they're not going to
get into feature films and television's a second bet.
There is too much emphasis on 'me, me, me'."
He
says many of the J-schools are not providing "hungry"
journalists, people who love to break stories and
create a bit of havoc. Overall, though, they are turning
out some very good people and "some of our best"
have come from J-schools.
"I
also question that, with the increased complexity
of life these days and our needs to specialise, whether
people have a sufficient background in things like
law or finance. To be honest, it's easier
to
teach a lawyer journalism than it is to teach journalists
the law sometimes."
Lucinda
Duckett
National editorial development manager, News Limited
LUCINDA
Duckett, 40, had a traditional indentured newspaper
training in Britain, starting off on a weekly and
gaining Fleet Street experience before working as
a reporter, sub-editor and assistant chief-of-staff
on The Daily Telegraph in Sydney.
"We
look for a passion for newspapers and it has to be
newspapers. Being passionate about the media doesn't
cut it ... we look for people who really are interested
in current affairs, who are passionate about knowledge."
She
finds it astonishing how many would-be reporters profess
to have that interest, only to fail the simplest current
affairs test or demonstrate in interviews that they
have not been reading newspapers.
News
Limited newspapers across the country have their own
recruitment and local training schemes, and the selection
process varies. In Melbourne, for example, there is
a cadet intake once a year. Applicants go through
a series of tests and interviews.
Separate
to these is a national umbrella training program that
covers all journalists, providing online and face-to-face
training in several areas, including court reporting
and media law.
The
vast majority of recruits, roughly about 90 per cent,
are graduates who do a one-year cadetship before being
graded. School-leavers undertake a three-year cadetship.
There are also unpaid internships in Sydney lasting
several weeks where people can gain reporting experience.
John
Cameron
Director of news and current affairs, ABC
JOHN
Cameron's introduction to journalism began at 17 as
a cadet on a country newspaper in New Zealand. In
the early years he worked as a sports reporter on
a metro daily, went to London, where he worked on
suburban newspapers, and then worked in commercial
radio in NZ before joining the ABC.
He
says reporters have to have an inquisitive mind, good
general knowledge, a genuine interest in news and
current events and, critically, a storytelling ability,
as well as a good grip of the English language.
"In
broadcast terms, one of the key things we look for
is an acceptable voice. Someone who can communicate
conversationally and comfortably. Obviously, we can't
afford to alienate viewers with poor quality presentation.
By the same token, we don't have a beauty contest
mentality."
Cameron,
52, says he has been sceptical about the value of
some journalism courses, "but to be fair in recent
years some of our very best people have come through
the J-school system".
Chris
Anderson
Director of Publishing and Broadcasting Limited
CHRIS
Anderson, 59, began as a copy boy on The Daily Telegraph
under Frank Packer and went on to become chief executive
of John Fairfax Holdings, chief executive of Optus,
managing editor of the ABC and group chief executive
of Television New Zealand. Three weeks ago he gave
this year's Andrew Olle media lecture.
Anderson
is not as dismissive of journalism schools as some
executives and says very good people are coming through,
although he says they instil a bit of a collective
herd mind-set. He says you cannot make a hard and
fast rule about recruitment: many fine journalists
had prior outside experience in industries such as
banking and teaching. "There's no one answer,
that's the main thing."
But
you do need to have a good general knowledge and to
read voraciously. It's a must to read not only the
daily papers in Australia but also foreign papers
and magazines to be aware of what's going on. "I
know that's a cliche but it is sometimes quite frightening
how young journalists don't read."
Journalists
need to be suspicious and sceptical but not cynical.
"You need to question but you don't need a level
of cynicism about life or about institutions or about
the way things run because, by and large, you always
come from a perspective where you don't believe anything.
That's a bit of a danger."
Max
Markson
Managing director, public relations company Markson
Sparks!
MAX
Markson's first job was as a spotlight operator at
a nightclub in the seaside town of Bournemouth in
England for which he received 50p a night. He was
16 and still at school. These days he runs a high-profile
company involved in corporate PR, celebrity management
and special events. He has brought out former US president
Bill Clinton three times to the region and next year
brings out Cherie Blair.
Markson,
48, started off doing publicity and promotional work
but has no formal training in the area. He says there
are just three things people need to succeed, whatever
business they are in: persistence, enthusiasm and
focus.
He
looks for a positive attitude and confidence.
His
tip: If you want to do a job, offer yourself for free
somewhere for month, "and if you're any good,
they'll offer you a job".
Mary
Davison
Editorial manager, Nine Network
MARY
Davison, 43, did a degree in English in Britain and
a one-year accredited journalism course before a two-year
traineeship with ITV television in Britain. She came
to Australia to work for SBS before going to Nine,
where she was London bureau chief for 11 years and
producer for Brian Henderson.
In
recent weeks she has been sorting through 2000 applications
to compile a short list of 15 for two news and current
affairs traineeships. They are rotated on various
programs but are not guaranteed a job at the end of
the year-long stint. She has been shocked by the poor
level of the written applications and has disregarded
20 per cent of them at first glance.
"These
are people with great references, with high academic
qualifications, but they can't spell and don't know
how to construct a sentence. I find that really frightening."
Despite that, the general level of applications is
"pretty good", she says.
"What
I'm trying to get away from is this idea that if you
are going to do a traineeship with Nine you are going
to be on television, because probably only 10 per
cent of the people who work for the Nine Network are
on television." For every on-air person there
are another five or six behind the scenes.
Campbell
Reid
Editor, The Daily Telegraph
CAMPBELL
Reid, 46, started in journalism in New Zealand after
a six-month course at a technical institute that taught
basic skills such as interviewing and note-taking,
after which students gained on-the-job training on
small country papers. After about six months, you
were perfectly equipped to cover the entry-level kind
of jobs like a car crash or the local court, says
Reid.
"But
now the basic journalist graduate seems to be perfectly
well-equipped to tell me why my splash [the front
page story] is biased, but is unable to cover the
story themselves."
"Cynicism
is the cancer that can eat away at journalism and
you have to fight its onset.
"Journalism
schools nowadays seem to be about the behaviour of
people like me and try to read my mind - basically
cast commentary on whether what I'm doing is right
or proper or not, as opposed to learning how to be
a reporter or a journalist themselves."
Reid
says he looks for enthusiasm and curiosity, "and
once you've got those two things, you can build on
skills as a writer and the qualifications of a good
reporter".
The
Telegraph looks most favourably on journalism graduates
from the University of Western Sydney - "they
seem to be taught the fundamentals and understand
where our readers live". After that editors look
favourably on those with a law degree. "It's
a sad indictment that journalism courses haven't been
able to convince people like me that their graduates
are the ones I should take on."
Recent
recruits to the Telegraph include some who have married
other qualifications with journalism training - a
qualified carpenter, a medical doctor, a lawyer and
a stand-up comedian.
Michael
Gill
Publisher and editor-in-chief of Fairfax Business
Publications
MICHAEL
Gill, 51, started out as a BHP trainee in Newcastle
and worked in financial services before "seeing
the light" and entering journalism.
Many
people in the trainee intake will have started their
career somewhere else with experience in another industry
such as banking or some sort of business, but they
also hire a few who have recently graduated.
Gill
says they choose people on a case by case basis and
he places a lot of emphasis on interviews because
qualifications on paper are not always a good indicator.
He wants people "who understand what the nature
of our work is", who have demonstrated a level
of discipline and expertise.
Glenys
Rowe
General manager, SBS Independent
GLENYS
Rowe has been to art school and university, made films
and worked in advertising for years before joining
SBS, where she commissions a host of programs from
independent producers, from feature films and animation
to documentaries. She's involved from the ideas stage
through to the finished project, which involves talking
to the creators of the ideas. "You get a gut
feeling for what's going to take off ... I'm sure
it exists in advertising as well."
Her
advice for people wanting to work in the media is
to follow your nose and make it happen. "Just
do it. It's a bit like the Nike ad. And don't wait
for money, don't wait for people to tell you that
it's good ... you learn so much more doing a job than
sitting at a desk dreaming about it."
Garry
Linnell
Editor-in-chief, The Bulletin
WHEN
Garry Linnell, 40, started his journalism cadetship
straight from high school at The Age in 1982, his
intake was one of the last to include a substantial
number of school-leavers.
In
those days the split was 50-50 school-leavers and
graduates.
He
says journalists first and foremost need a strong
sense of curiosity. Too many "want to tell you
what they think rather than report what they see".
He detects a degree of closed-mindedness that wasn't
obvious some years ago. He would like to see less
interpretation, less analysis, less comment and more
digging.
Linnell
sees the bigger problem for journalism not at the
entry stage but further down the career path, trying
to keep older journalists. "We lose generation
after generation." In the US, those over 50 are
held in high regard because of their knowledge and
experience yet, outside of Canberra, there aren't
that many in Australia. He finds working with older
journalists invaluable.
"If
you've got more of a middle-age to late-age base to
build on, that's where your younger ones will learn
from."
Marena
Manzoufas
Head of programming, ABC TV
MARENA
Manzoufas, 54, has an honours degree in history and
worked on the taskforce inquiring into multicultural
television in the 1970s and then on the setting up
of SBS in 1980.
There
will be few people in Australia who watch as much
TV as Manzoufas. At the ABC she identifies programs
to buy and only about 20 per cent of what she sees
makes it to the screen. She also works with the director
of television on the structure of the TV schedule
and monitors the TV ratings daily to analyse where
the audience is going and whether it's shifting.
"If
there is an age demographic or sector of the audience
that is not coming to us, then we have a look and
see what we can do about it."
TV
is tough to break into but it helps if you have tenacity,
flexibility and willingness to work hard, "but
that's true of anything, and not particular to television",
Manzoufas says.
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