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Profile
Spider-Man
is a fictional character appearing in comic books
published by Marvel Comics. The character first
appeared in Amazing Fantasy #15 (Aug. 1962), and
was created by scripter-editor Stan Lee and artist-plotter
Steve Ditko. When Spider-Man first appeared in
the early 1960s, teenagers in superhero comic
books were usually relegated to the role of sidekick
to the series' main character. The Spider-Man
series broke ground by featuring Peter Parker,
a teenage high school student to whose "self-obsessions
with rejection, inadequacy, and loneliness"
young readers could relate. Unlike previous teen
heroes such as Bucky and Robin, Spider-Man did
not benefit from adult mentors like Captain America
and Batman and had to learn for himself that "with
great power comes great responsibility".
Marvel has featured Spider-Man in several comic
book series, the first titled The Amazing Spider-Man.
Over the years, the Peter Parker character has
developed from shy high school student to troubled
college student to a married teacher and a member
of the superhero team the New Avengers. In the
comics, Spider-Man is often referred to as "Spidey",
"web-slinger", "wall-crawler",
or "web-head".
Spider-Man has appeared in various media, including
several animated and live-action television series,
syndicated newspaper comic strips and a successful
series of films starring actor Tobey Maguire as
the character.
Publication
history
Creation
In 1962, with the success of the Fantastic Four
and other stars, Marvel Comics editor and head
writer Stan Lee was casting about for a new superhero
idea. He said that the idea for Spider-Man arose
from a surge in teenage demand for comic books,
and the desire to create a character with whom
teens could identify. In his autobiography, Lee
cites the non-superhuman pulp magazine crime fighter
The Spider as an influence, and in a multitude
of print and video interviews Lee stated he was
further inspired by seeing a fly climb up a wall—adding
in his autobiography that he has told that story
so often he has become unsure of whether or not
it is true. Jack Kirby claimed Lee had minimal
involvement in the character's creation, and that
the idea for Spider-Man had originated with Kirby
and Joe Simon, who in the 1950s had developed
a character called The Silver Spider for the Crestwood
comic Black Magic, who was subsequently not used.[1b]
Simon, in his 1990 autobiography, disputes Kirby's
account, asserting that Black Magic was not a
factor, and that he (Simon) devised the name "Spider-Man"
(later changed to "The Silver Spider"),
while Kirby outlined the character's story and
powers. Simon later elaborated that his and Kirby's
character conception became the basis for Simon's
Archie Comics superhero The Fly. Artist Steve
Ditko stated that Lee liked the name Hawkman from
DC Comics, and that "Spider-Man" was
an outgrowth of that interest. The hyphen was
included in the character's name to avoid confusion
with DC Comics' Superman.
Looking back on the creation of Spider-Man, Tom
DeFalco stated he did not believe that Spider-Man
would have been given a chance in today's comics
world, where new characters are vetted with test
audiences and marketers. At the time, however,
Lee only had to get the consent of Marvel publisher
Martin Goodman for approval for the character.
In a 1986 interview, Lee described in detail his
arguments to overcome Goodman's objections. Goodman
eventually agreed to let Lee try out Spider-Man
in the upcoming final issue of the canceled science-fiction/supernatural
anthology series Amazing Adult Fantasy, which
was renamed Amazing Fantasy for that single issue,
#15 (Aug. 1962).
Comics historian Greg Theakston says that Lee,
after receiving Goodman's approval for the name
Spider-Man and the "ordinary teen" concept,
approached Kirby. Kirby told Lee about his 1950s
Silver Spider/Spider-Man, in which an orphaned
boy living with an old couple finds a magic ring
that gives him superpowers. Lee and Kirby "immediately
sat down for a story conference" and Lee
afterward directed Kirby to flesh out the character
and draw some pages. Steve Ditko would be the
inker. When Kirby showed Lee the first six pages,
Lee recalled, "I hated the way he was doing
it. Not that he did it badly — it just wasn't
the character I wanted; it was too heroic".
Amazing Fantasy #15 (Aug. 1962). Cover art by
Jack Kirby (penciller) & Steve Ditko (inker).
Simon concurs that Kirby had shown the original
Spider-Man version to Lee, who liked the idea
and assigned Kirby to draw sample pages of the
new character but disliked the results—in
Simon's description, "Captain America with
cobwebs".[1c] Writer Mark Evanier notes that
Lee's reasoning that Kirby's character was too
heroic seems unlikely—Kirby still drew the
covers for the first issues of Spider-Man. Likewise,
Kirby's given reason that he was "too busy"
to also draw Spider-Man in addition to his other
duties seems false, as Kirby was, in Evanier's
words, "always busy". Both Lee's and
Kirby's explanations also do not explain why key
story elements like the magic ring were dropped;
Evanier states that the most plausible explanation
for the sudden change was that Goodman or one
of his assistants decided that Spider-Man as drawn
and envisioned by Kirby was too similar to The
Fly.
For whichever of the above reasons, Lee turned
to Ditko, who developed a visual style Lee found
satisfactory. Ditko recalled,
One of the first things I did was to work up a
costume. A vital, visual part of the character.
I had to know how he looked ... before I did any
breakdowns. For example: A clinging power so he
wouldn't have hard shoes or boots, a hidden wrist-shooter
versus a web gun and holster, etc. ... I wasn't
sure Stan would like the idea of covering the
character's face but I did it because it hid an
obviously boyish face. It would also add mystery
to the character....
In an early recollection of the character's creation,
Ditko described his and Lee's contributions in
a mail interview with Gary Martin published in
Comic Fan #2 (Summer 1965): "Stan Lee thought
the name up. I did costume, web gimmick on wrist
& spider signal".[12] Additionally, Ditko
shared a Manhattan studio with noted fetish artist
Eric Stanton, an art-school classmate who, in
a 1988 interview with Theakston, recalled that
although his contribution to Spider-Man was "almost
nil", he and Ditko had "worked on storyboards
together and I added a few ideas. But the whole
thing was created by Steve on his own... I think
I added the business about the webs coming out
of his hands".
(Credit:
Wikipedia)
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